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Authoring

Breakthrough1.0

breakthrough1.0
John Buckland Wright, Freedom (1933)
"Perhaps it was never the problem we convinced ourselves it was."

Today's Authoring Story presents a Breakthrough, what I'll label Breakthrough1.0 in recognition of the high likelihood that this will prove to be the first one of, if not many, then a few upcoming Breakthroughs. They do tend to come in manys following some stuckness. One Breakthrough begets others. A snowball might spawn an avalanche. I realize that this one might well seem out of context, because it's not about Authoring so much as a product of Authoring effort. I'd grown dissatisfied with what I'd earlier written as the preface for my Cluelessness book, the one I've been preparing for publication as part of this Authoring work. What follows serves as a second draft of that preface. I present it without further comment and humbly request that you, dear reader, savage it if you can. This preface, of course, being intended for a book entitled Cluelessness, should exhibit some Cluelessness itself. I wonder if it's understandable, compelling, or seemingly stumbling all over itself? Have at it, please. I promise to be grateful.

———

What sort of person writes a book titled Cluelessness?

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SenseMaking

sensemaking
The Frolicking Animals scroll (Chōjū-jinbutsu-giga) from Heian Japan (mid-12th century)
" … SenseMaking, not necessarily about making sense …"

I've been trying for two months to schedule a Scheduled Maintenance appointment for The Schooner. I'd been really good at keeping each prescribed appointment since we bought the car, though it was easier when the dealer was just down the hill from us and I could just stop in to schedule a visit in person. Now that we've moved out toward the end of every known distribution channel, the closest dealership's fifty miles away. I considered just having my favorite local mechanic take over the maintenance, but he maintains a steady three month waiting list for appointments, so The Schooner's odometer would be at 55,000 miles before we could complete the 52,000 mile service. I'm now trying to negotiate away the 52,000 mile service in favor of just performing the 60,000 mile service early because I've lost faith that I can schedule the appointment much before the old odometer clicks over 60K.

The dealership's website features a futuristic scheduling application which was apparently intended to handle all appointment scheduling.

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InsideOut

insideout
Banksy: Shop Until You Drop [Street art, Mayfair, London] (2011)
"I wonder if there's much of a market for that."

As my Authoring effort has focused my attention on the product of my writing, I've been spending afternoon hours actually reading what I've written. I finally submit to this work—and it genuinely feels like work to me—after procrastinating on significantly less important activities. I hesitate before reentering the Proofing space, and I consider this reluctance to be part of the experience. It's information. I'm not merely proofreading, of course, but also for the first time experiencing what it's like to be one of my readers. I sit in the chair across the room from myself and observe with great curiosity and almost equal dread. It seems somehow unnatural for someone to so closely observe himself. I sense that I might be toying with one of the inviolable boundaries like a space/time continuum. I feel concerned that I might alter an earlier self or glimpse from perspectives that I was never supposed to suspect, let alone perceive. I'm only wondering how I might describe this manuscript. Is it Little Red Riding Hood or The Boy Who Cried Wolf? What makes this different from its many siblings?

I sense that I'm dabbling in an InsideOut, for my writing seems to echo my ongoing internal narrative.

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Proofing

proofing
Carl Moon: Women Baking Bread (ca. 1937-1943)
" … wrapped up as a manuscript."

It feels more ritual than purposeful, that first reading of the first printing of the pieces rendered into book form. I avoid this work like I avoid Covid, though I'm unsure why. I eventually manage to get over my aversion to reading my own writing and settle into the work, though it feels like hard work. I hold my red pen ready to highlight the errors I will most certainly spot, and dog-ear each corrected page for easier reference when I go back to update the mother manuscript. It's a long process. I measure it in ten page increments. something more than one hundred fifty pages. I anticipate a slog.

It's rare that I lose myself when reading my own writing.

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